We have newly donated items for this annual sale which includes choice art books, frames, prints, art materials, easels and more. We also have a variety of picture moulding for sale as well as heavy-duty stretcher bars used for creating canvases. First come, first served.
This two-day workshop includes a lecture and demonstration on the use of controlled lighting for a consistent light source resembling natural light. The hands-on portion of the workshop will be a day and a half of working together on still-life setups using various artificial lighting techniques. We will go through a series of steps that will demonstrate some of the various lighting options, as well as using light and shadow as part of the compositional element. Once a satisfactory setup has been established with both the still life and the lighting, participants will be given the option to paint a color sketch of the still life from their setup or continue by working with different light and or setups. If painting, this will enable you to work through the process of painting with and from artificial light.
Full lecture, demonstration and workshop Length: 2 days Tuition: $250 Limit: 10 students
This is a 3-day weekend workshop where we study ideas and plan pictures that can grab and captivate our audience. We'll be exploring composition through generating copious amounts of thumbnail sketches; refining, changing, and enhancing our ideas through drawing; and, finally, developing a large loose sketch, based on the previous explorative sketches, to take home for a finished painting.
Fundamentals of composition, value, and picture design are stressed throughout. This is where we discover who we are: marks on paper, with the barest minimum of lines, will flush out and flesh out an idea that lingers just beneath our awareness. As students progress from thumbnails to sketches, we'll also touch on when and how to use reference. On the third day Greg will demonstrate color comps, and students will begin to explore rough color sketches to aid them in the development of their picture beyond this workshop.
Much frustration and head-scratching ensues while we struggle to do our best, but Greg hasn't had a student yet that hasn't come away with an epiphany or two about their work. And we'll have lots of fun in the discovery process. Come with no fear—you're in good hands.